Hey You

Hey you, out there in the coldGetting lonely, getting old, deserve to you feel me?Hey you, was standing in the aislesWith itchy feet and fading smiles, can you feeling me?Hey you, don"t assist them to bury the lightDon"t offer in there is no a fight.Hey you, out there on your ownSitting naked through the phone, would you touch me?Hey you, v you ear versus the wallWaiting for someone to call out, would certainly you touch me?Hey you, would you aid me to bring the stone?Open her heart, I"m coming home.

You are watching: And the worms ate into his brain

But it was only fantasy.The wall was also high, as you can see.No matter how he tried, he can not rest free.And the worms ate right into his brain.Hey you, out there top top the roadAlways doing what you"re told, deserve to you assist me?Hey you, out there beyond the wall,Breaking party in the hall, have the right to you aid me?Hey you, don"t call me there"s no hope at all.Together us stand, split we fall.
Song In A Sentence:Immediately after ~ finishing his wall, Pink starts to wonder (too little, also late) whether he’s made the appropriate decision in totally isolating himself from the world.

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Like “Another Brick in the Wall, part 2” and also “Comfortably Numb,” “Hey You” is play so lot on classic rock radio stations across the world that that is context in ~ the album is regularly a second point if no altogether forgotten. Because that some, the track is a perfect introduction to the album’s second half, rehashing the larger themes at play in the first half. Others argue that, good song though it is, it’s an ext than a tiny out of location on the album both narratively and thematically, and also that the movie obtained it right in excising it completely. But more on this in a minute.

The story recommences through the well-known delicate riff play on a reverb-laden twelve-string guitar, the haunting echoes that a singular guitar riff mirroring the expansive void the Pink’s inner civilization after the perfect of his wall. When “In the Flesh?” announced Pink’s birth right into life (and right into the album) through thundering drums and wailing guitars, our hero’s (or anti-hero’s) shipment into his new, disassociated civilization is heralded with much less fanfare. A fretless bass lastly joins the lone guitar prior to giving way to Pink’s solitary voice, at lengthy last alone behind his wall. Paralleling his sudden realization of his expansive surroundings, the music hardly ever shifts the end of that is subdued tone, just breaking cost-free once in the middle at the onslaught of one more of Gilmour’s fiery guitar solos before falling ago to the exact same searching riff of the twelve-string guitar.

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While haunting in and also of themselves, many of the text are relatively straightforward, possibly accountancy for the song’s popular even among non-Pink Floyd fans. In his 1979 interview cultivating the album, i get it Waters proclaimed that narratively and also lyrically speaking, Pink is “behind the wall surface a.) symbolically, and b.) he’s locked in a hotel room, with a broken window that looks onto the freeway.” Trapped behind a colossal structure made from the pain and also repressed emotions of his life, Pink look at searches in desperation because that anything the will aid him reconnect with the world he’s just left behind, it is in it a way out or merely a person on the other side willing to listen. Accordingly, many of the song’s lyrics reflect this search. Although supposedly taking a step in the right direction psychologically in turning to the outside human being for aid (even if the is as well late), Pink still tasks a particular nihilism onto the really world and also people whose assist he seeks. In the first line the asks for support from “lonely” civilization who room living in a “cold” world, a state ironically paralleling his own. Following he addresses those who are gradually HeyYou2realizing the fact of life behind your “fading smiles,” (coupled through the “aisles,” this is a possible reference come his very own concert-goers eager for the show), a line that is reminiscent of the cynical life-lessons of “In The Flesh?” and also “The slim Ice.” A couple of lines down Pink cries out to one “sitting naked by the phone” and also one with “your ear versus the wall.” Again, both lines are implicative of Pink’s an individual predicament, recalling his earlier attempts to phone his adulterous wife and, even now, ostensibly sitting through his very own ear to the wall “waiting because that someone to call out” and rescue him. Even in his do the efforts to reach out, Pink unwittingly reverts earlier to his former egotism through projecting self onto the world about him. Furthermore, his cries because that someone come “feel” and also “touch” him space all the much more paradoxical given that these room the very things Pink was unable to perform in his life. He constructed his wall surface out the the fear of feeling something, the end of his paranoia of being emotionally touched and leaving himself vulnerable. Together hypocrisy further delineates Pink as much more an anti-Christ figure. While literary Christ figures tend to exemplify the golden rule of law “unto others together you would have actually others do unto you,” Pink pleads because that others to carry out unto the what he has actually hitherto to be unwilling to execute for others. Yet the irony is lost on him together he continues to actors himself in a quasi-messianic role, asking those who space listening to not “help them to ask the light,” a phrase that take away on Christ-like significance when read in conjunction with certain brand-new Testament passages one of two people comparing Jesus to the light of the civilization (John 8:12) or to teach followers not to hide one’s light under a bushel (Matthew 5:14-15). Even if no a direct spiritual allusion, light is certainly a literature one provided in much the same sense as it is in the above mentioned chapter and verse native the book of Matthew, acting as a an allegory for truth throughout many of the world’s literature. When Pink never ever specifically mentions what reality he is refering to in “the light” (the irradiate of individuality? the light of human being connectedness?), it’s hard to believe that that would understand what truth / irradiate truly looks prefer after being being blinded by his very own misery and also self-proclaimed martyrdom because that so long. A slightly much more optimistic see of this verses could strip away few of the irony and also posit the in the zero of his wall surface Pink has quickly realized the error of his ways. Likewise, depending on one’s view of ours protagonist, Pink’s request for who to aid him lug HeyYou4″the stone” (a well-known symbol of overwhelming burdens since the old Greek myth of Sisyphus) can be argued as one of two people heartfelt or hypocritically narrow-sighted.

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Just prior to launching right into the etc solo, Pink asks for the unnamed listener (his wife? the people outside his hotel room? us?) to “open her heart, I’m coming home,” when again questioning those external the wall surface to do what he never ever could. Later in “the Trial,” Pink’s mom accuses that of leaving her, if his wife accuses him of shutting her the end of his life by walking “your own way.” however at the minute he feels the many danger of being consumed by his very own creation, Pink longs because that someone to open their heart to him, he longs for “home,” ignorant to the which has been in front of him every along. Together earlier, one can interpret the lyric both ways, either in terms of sincere remorse and also insular egotism. One might further translate this critical line before the guitar solo in a literal fashion, through Pink longing to return to either the watchful care of his mommy in his childhood house or come return ago home come his wife. One more reading can view “home” by a much more metaphorical light, thinking that Pink wishes to regress earlier to his childhood, earlier to wherein it all began, so that he can start over and also see where things went wrong. Together a analysis is based greatly on the idea the one have the right to only development by discovering from the past. For Pink to progress, he must first regress and comprehend the people, the events, and also most importantly the decision that have lead to his existing entombment behind his wall.

In an answer to his desire to go back to his origins, the etc solo ignites, recalling vault solos mirroring Pink’s emotional outbursts in his search for self. Like the solo in “Another Brick in the Wall part 2” or “Mother,” the lead etc in “Hey You” musically conveys Pink’s frenzied realizations that his separation native the world. Yet equally essential is the rhythm etc in the lift revisiting the music theme started in “In The Flesh?” and also repeated throughout many songs top top the album. Just as the guitar solo reflects Pink’s recurring search for self, the valuation guitar can be claimed to mirror his attempts come rediscover his beginnings by literally returning to the musical layout that conveyed his life’s beginning, the album’s start. On the flipside, the three-note rate – current in some form or another during the development of countless of his bricks – can represent the wall surface itself, hemming in that frantically looking guitar solo.

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The ton of the track shifts when Roger Waters enters exhilaration in the guise of…well, it’s difficult to say because that sure. Some could say the the lyrics of the bridge stand for an omniscient narrator, or Life itself, or something akin to a Greek chorus, or probably just an additional of the voices in Pink’s HeyYou5head. Every little thing the character might be, Waters’ leg summarizes the song – and also to some degree the story – for this reason far, cynically commenting exactly how Pink’s hope the someone top top the other side that his “too high” wall surface could aid him was “only fantasy.” The wall was fulfilling its role by maintaining the outside out and also the within in, and also as a an outcome “the worms ate into his brain.” Though currently mentioned in the movie analysis for “Another Brick In The Wall component 3,” “Hey You” clues the worms’ lyrical advent into the album. Roger Waters stated it best in his 1979 interview once he said, “ were my symbolic depiction of decay.” Isolation leads to a sort of metaphorical fatality (“Goodbye cruel World”) which subsequently leads to degeneration on nearly all levels, be they physical, mental, spiritual, or emotional. In many ways the symbol of the worms is inseperable from the of the much more expansive wall, with decay corrupting everything the bricks encompass. Aurally representing the teeming fixed of metaphoric worms feeding ~ above Pink’s disk self, an incessant buzzing is superimposed end the haunting guitar riff leading right into the 3rd verse.

Though the listener is now mindful that Pink’s cries space “only fantasy,” Pink himself is apparently unconscious of such, and also continues to beg because that someone come not only “touch” or “feel me” together he did in the very first two verses, however now “help me.” What’s interesting here is that after his stint together the voice of Life / Omniscient Narrator / What-Have-You, Waters switches roles and finishes the tune as Pink. Throughout the album, Gilmour and Waters have actually traded singing duties, despite in almost every various other song as well as “Hey You,” their vocals represent different personalities or clues of view. Take “Mother,” because that instance, in which Waters sang in the guise the Pink, and Gilmour in the duty of mom (or at the very least Mother as imagined through Pink). Or later, in “Comfortably Numb,” as soon as Waters acts together the doctor, and Gilmour as Pink. Here, however, both lead singers embody the very same character, no counting Waters’ leg lyrics. The factor for this is a bit unclear, though one can suggest the all the character voices thus far have been distilled with Pink’s imaginings anyway, and also so “Hey You” is simply a more clarification that the whole of the album, though seemingly multi-voiced, is filtered v the suggest of see of one character. Or possibly the move has an ext to do with vocal format than anything else, with Gilmour’s mellifluous tone best suited for Pink’s early plaintive HeyYou7pleas, and also Waters’ much more caustic delivery an ext in line with the character’s growing frenzy when aid doesn’t arrive on the various other side the his wall.

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As if fighting his usual nihilistic urges, Pink goes on come plead for the unspecified “you” to not tell that “there’s no expect at all,” despite judging by the frenzy in his voice, that knows the this is precisely the case. Continuing to heap irony on height of irony, Pink concludes – as if make the efforts to victory points v some cosmic referee – that “together we stand, separated we fall,” when, if anything, Pink has lived many of his life in the id that with each other we fall and also alone us stand…it’s the an extremely basis the his wall. Nearly to reiterate the hollowness that his last maxim, “we fall” is echoed over the last chords that the song, reverberating, together it were, v the void that Pink created out that his desire to stand alone. And also yet there is a little of genuine light in Pink’s final statement, the repetition of which deserve to be understood as foreshadowing the ultimate fate of the wall surface itself. If the “we” most readily applies to humankind in general, one could also apply the emotion to the bricks us – divided they (the bricks) fall when with each other we (humanity) stand. Essentially, Pink has actually stumbled top top the systems to his problem, that key to tearing under his wall, though its utterance at this minute is arguably more an attempt to fool himself (or Life or God or Fate) that something that he won’t fully realize until the finish of the album.

It was discussed in the very first paragraph that some wall fans (myself included) are rather dissatisfied through the placement and/or consists of “Hey You” on the album. Early tracklisting for the album uncovered “Hey You” complying with “Comfortably Numb,” with the second half of the album beginning with “Is over there Anybody the end There?” Waters later recalled exactly how producer Bob Ezrin didn’t feel right about the initial pacing that the third side. “I thought about it,” Waters said, “and in a pair of minutes i realized that ‘Hey You’ might HeyYou9conceptually walk anywhere, and also it would make a much much better side if we put it in ~ the prior of the side, and also sandwiched the center theatrical scene – with the man in the hotel room – between an effort to re-establish call with the outside world, which is what ‘Hey You’ is” (Waters, 1979 Interview). The idea that “sandwiching” the theatrical scene is certainly understandable, and musically “Hey You” flows seamlessly with “Is over there Anybody out There?” Yet regardless of Waters’ assertions to the contrary, countless aren’t convinced that the song conceptually fits wherein it was at some point placed. Going indigenous the Pink in “Goodbye cruel World,” that is resolute in his need for isolation, to the Pink in “Hey You”, that is all of sudden hyper-aware that the error that his ways, is a little bit too lot of a conceptual leap because that some. There has been no growth, no personal experience that would warrant together a sudden transition in his personality. Yet the stare dissonance is further complex with the being successful “Is over there Anybody the end There?” a song which presents a Pink an ext in line v that of “Goodbye cruel World” 보다 “Hey You.” Although that does asking if there is “anybody out there,” his asking is quiet guarded and rife through paranoia, a far cry native the genuine / ironic pleading of “Hey You.” just put, Pink goes indigenous vehement indifference (“Another Brick 3” / “Goodbye cruel World”) come some kind of self-realization (“Hey You”) ago to indifference (“Is there Anybody out There” and also to part extent, “Nobody Home), all in the an are of 3 or 4 songs. That’s quite a little bit of personality seesawing. So while there’s no doubt that “Hey You” works fairly well musically in its current position, many would argue the the in its entirety narrative suffers native this emotionally disjointed back-and-forth, and that the song works much better, narratively speaking, in its initial position after “Comfortably Numb.” (Not to mention that the recommendation to civilization “standing in the aisles” would make more sense once grouped in the paper definition of the album’s second rock concert, that now depicted in “In the Flesh” through “Waiting because that the Worms.”)

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Sidestepping this worry altogether, the movie sequence for “Hey You” was fully cut indigenous the last print the the film. Thankfully, the sequence is included on the DVD extras because that the Wall, permitting us a chance to see just why the tune was deleted in the an initial place. Because that the many part, the bulk of the video clip sequences shot for each song advancement the story in part degree, even if it is they further the yes, really narrative, administer a surreal counterpoint, or simply add depth to Pink’s splintering psyche. The footage because that “Hey You,” however, accomplishes little if any of these, and at times is for this reason heavy-handed the it feels as if it to be HeyYou11lifted native some an initial year movie student’s abstract movie project.

The sequence starts with a close up of the bricks in Pink’s wall before panning earlier to show Pink, nearly in the nude, clawing because that a means out. Shift, then, to a sluggish pan over the blank faces that Pink’s concert-goers, each one alike in your vacant expressions. Though we never see Pink on stage, the implication is the he’s to sing his pleas come the audience, come those “standing in the aisles” as stated above. Next, a summary shot the a heat of empty infirmary beds such as those viewed in people War II movies, followed by a long shot of 2 empty chairs collection against a white wall. Pink fades right into one chair, motionless, and after a short time, his nude mam fades right into the various other before turning to watch at her motionless husband. The chairs, collection at opposite political parties of the wall, mirror the distance in between Pink and also the remainder of the world, many notably his wife. Earlier sequences have already intimated Pink’s misogynist watch of women, and the wife’s naked (ie, adulterous, promiscuous, etc.) appearance in “Hey You” is no exception. She fades the end of the chair as Pink sings “I’m comes home,” a line the is followed with a quick transition to a vehicle exploding. From there, a multitude that rioting scenes accompany the etc solo, alternating between a crowd of greatly skinheads tipping end cars and throwing Molitov cocktails, come police adorned in complete riot equipment – nearly all shots that are supplied to convey Pink’s inner emotional battle at various points transparent the movie.

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As the narrative voice sings around Pink’s wall being too high, the scene shifts come a hand (presumably Pink’s) clawing in ~ the inside of part entombing container, complied with by a close increase of seething maggots matching with the metaphorical worms eating right into Pink’s brain. In a feasible visual allusion come the 1971 anti-war movie Johnny obtained His Gun, we find Pink lying on one of the abovementioned hospital beds with electrodes attached to his head. Just as it appeared in the montage because that “Another Brick in the Wall, component 3,” a sequence that used lot of the footage seen here, an image of Pink’s wife screaming is superimposed end shot before giving means to a close increase of a fire began in the previously shown riots. A barricade of marching policemen (again, a shooting HeyYou12used in “Another Brick, part 3”) is silhouetted against a raging fire, as an additional line that rioters throw flaming debris and type protective wall surfaces of mattresses and also desks, calling come mind the immediate bonfire native “Another Brick In the Wall, part 2.” like the wall surface itself, the imagined riots in Pink’s mind have actually grown from an easy fantasy the childhood anarchy to nearly full-fledged war. Finally, the shot of marching policemen changes earlier to the beginning shot the Pink versus his wall searching for a means out.

Being the the song essentially finishes whereby it starts, and all of the clip in between is one of two people extraneous or placed to better use in various other songs prefer “Another Brick in the Wall, part 3,” it appears that cut “Hey You” from the film was the obvious choice. Reasonably nothing is added to the narrative circulation or come the viewer’s perceptions of Pink. “Goodbye cruel World” confirmed Pink in this same symbolic posture versus his wall, as does the beginning of “Is there Anybody the end There?” when the shots the the lytic spark thoughts about Pink’s dichotomous sides and his very own internal dispute (his rebellious “One of mine Turns”-side warring versus the an ext rational Pink that lastly steps front in “The Trial”), this scenes space made redundant by the an extremely fact HeyYou10that castle were provided to make the specific same clues in previous song sequences. Likewise, the somewhat vital worm symbolism – something the will come to be more central later in the album – was already introduced in usually the same means earlier in the film. For this reason while the song itself is a veritable classic, countless fans feel the the same cannot be stated for the footage, especially when perceived in context v the remainder of the film. Which is probably why it was reduced in the very first place, enabling for a an ext harmonious bridge in between Pink’s entombment in “Goodbye devilish World” and his slow-moving realization the the impacts of such absolute disconnection in “Is there Anybody the end There?”